More Works

Here to Deliver was performed throughout October and November 2020. This durational performance took the form of a taxi service, where participants were taken on a virtual ride over the phone. In the wake of the COVID-19 pandemic and it’s associated conditions of long postponement and eternal present the artist embarked on a durational performance experiment. Over the course of two months the artist was on-call to perform mimicking the structure of gig economy labour. The performances took place over the phone from within the artist’s car, as she took the participants on a speculative journey through a cancelled festival, mirroring what they might have experienced had the world not shifted as it did. It was a conversation with many ghost ideas; the creative industries, festivals, in-person live events, plentiful gig-work, and being together. The more distant idea of art aligned to the socialist project was used in the form of a grandiose  language within the script—repudiated ideas of art’s revolutionary agency were re-contexualised as an overarching contrast to a bleak artistic landscape.

In total 103 rides for virtual passengers all over the world, connecting live to as far away as Indonesia, Vietnam, and Canada, then phoning participants only streets away in Glasgow. The performance had a script blueprint, weaving together texts; quotes about social realism, writing on marxism and art, gig platform promotional copy and typical ‘taxi driver’ questions.  This could be improvised around depending on the mood or willingness of the passenger to engage the “driver”.

The performance could also be followed through Instagram where every ride is documented.

The 300+ hours of footage from recording each performance through dash-cam were then edited into a film Here to Deliver (2021), which can be viewed below.

A chapter on the performance ‘Here to Deliver: Conversations with the Ghosts of Gig Work’ was published in Performance in a Pandemic (Routledge, 2021)

The work was reviewed by Hussein Mitha, in Nothing Personal Magazine; ‘an expansive consideration of agency and class within Glasgow International through the lens of Shona Macnaughton’s performance Here To Deliver (2020)’.

In 2022 materials from the performance were collected together to form a publication. The book was launched at David Dale Gallery alongside a live performance including 5 of the participants from 2020. Together with the artist they performed a script, edited from their original transcripts. To purchase a copy of the book please email, send your address and make a contribution here of at least £4 (to cover postage costs).



Performed at The Tetley, Leeds 7th June 2014 as part of ‘How to live in a flat’ by Rachel Adams 

Taking Adam’s work, which referenced a guide book for living with modernist design from the 1930s as a starting point,I chose another reference from that time ‘A room of One’s own’ by Virginia Woolf, and devised a script which reframed the world Woolf had expressed as my previous working conditions. Taking the character of a hospitality employee in the grips of an anxiety attack, I  performed this text live in front of an audience invited to a ‘soiree’. On various devices, which were placed temporarily in the installation, were digital images of canapés.


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